THE LITERARY FUNCTION OF MUSIC AND RHYTHMIC FORMATION IN ALEXANDER FEINEBERG’S POETRY
Keywords:
Aleksandr Feinberg; musicality; poetic rhythm; rhythmic structure; sound imagery; lyric poetry; artistic function; poetic discourseAbstract
This article examines the artistic function of musicality and rhythmic structure in the poetry of Aleksandr Feinberg. The study analyzes how rhythm, intonation, sound patterns, and poetic meter shape semantic depth, emotional expressiveness, and aesthetic integrity in his lyrical works. Special attention is paid to the interaction between musical elements and meaning, revealing how rhythmic organization reinforces philosophical reflection, emotional tension, and imagery. Through close textual analysis, the article demonstrates that musicality in Feinberg’s poetry is not merely a formal feature but a crucial artistic device that structures the poetic discourse and enhances the reader’s aesthetic perception. The findings contribute to a deeper understanding of the poet’s individual style and the broader principles of rhythm and musical expression in modern poetry.
References
1. Feinberg, A. (1965). The Warmth of the Earth (Teplo zemli). Moscow: Sovetsky Pisatel.
2. Feinberg, A. A. (1967). Etude [Sketch]. Tashkent, Uzbekistan: Gafur G‘ulom Publishing House.
3. Feinberg, A. A. (1990). Free Sonnets [Sonnets]. Tashkent, Uzbekistan: Uzbek Writers’ Union Publishing.
4. Feinberg, A. A. (1967/various). Ode to a Draft [Qoralamaga qasida]. various editions.
5. Feinberg, A. A. (1985). Chig‘ir [The Mill Wheel]. Tashkent, Uzbekistan: Gafur G‘ulom Publishing House.